The Zaryadye Moscow Concert Hall is located in the park with the same name. This unique project is considered one of the best concert venues in the world.<\/p>\n
The hall was inaugurated in 2018, on Moscow City Day. In 2016, the hall was awarded with the Moscow City Council Award for \u201cBest Architectural and Urban Planning Solution for a Public Object.\u201d In 2019, it was shortlisted for the World Architecture Festival Award.<\/p>\n
The Zaryadye Park project was created by Diller Scofidio + Renfro (DS+R) from New York. The concert hall was completely designed by Russian specialists under the direction of Vladimir Plotkin, chief architect of TPO \u201cReserve,\u201d and Sergey Kuznetsov, chief architect of Moscow. The acoustics were handled by a world-class specialist, Yasuhisa Toyota. Russian conductor Valery Gergiev also made an invaluable creative contribution to the concert hall project.<\/p>\n
Moscow-based architectural company TPO \u201cReserve\u201d is one of the first Archicad users in Russia. \u201cOur company is 32 years old, and we have been using Archicad for 25 years,\u201d says Vladimir Plotkin.<\/p>\n
External architectural solutions were primarily subject to the location of the concert hall: it had to be placed on an artificially created hill in the park, fit into the landscape, and become an organic part of it.<\/p>\n
The hall looks is as if it is covered with a hill, and the hill is covered with a transparent glass \u201cbark\u201d with solar panels, proposed by the DS+R Bureau during the competition stage in 2013. A special microclimate was created under the \u201cbark\u201d; trees and herbaceous plants were planted here. The complex includes a pedestrian zone and an amphitheater that seats 1500 people.<\/p>\n
The \u201cbark\u201d was created together with American colleagues and the German company Transsolar, which was responsible for the microclimate under the glass roof. During the design process, the shape of the \u201cbark\u201d was changed and the entrance moved to the other side, but the DS+R Bureau approved the updated concept. To ensure proper air circulation, the parameters of the \u201cbark\u201d were adjusted in accordance with the German engineers\u2019 calculations. \u201cThere weren\u2019t any misunderstandings, the communication was friendly,\u201d says the chief architect of TPO \u201cReserve\u201d.<\/p>\n
The total area of the complex is almost 24,000 square meters. In addition to the \u201cbark\u201d roof, the concert hall and the park are connected by a high, light, and airy foyer.<\/p>\n
The building has four floors, two underground floors and two halls: the great hall with 1600 seats and a smaller one with 400, plus a complex of artistic areas.<\/p>\n
In addition to the ceiling solutions, an important element of the multi-genre hall is the lower mechanization. Thanks to the unique engineering equipment, the stalls in the great hall can be folded away in only 40 minutes, turning into a flat floor. The orchestra pit has three positions: it can rise to the stalls and to the stage plane. Behind the stage there are roll-out stands that can fold, expanding its space.<\/p>\n
He also notes that Rhino was actively used in the design of the hall: \u201cSketches and design documentation were performed in Archicad. And curved surfaces \u2013 the hall is built on smooth biomorphic fluid forms \u2014 were modeled in Rhino and then imported. That is, the shell of the hall that we now see was modeled in Rhino. The monolith, walls, and trusses are designed in Archicad. The test simulation of acoustics took place in Rhino \u2013 this was a requirement of Yasuhisa Toyota and Nagata Acoustics.\u201d<\/p>\n
It is noteworthy that in the original version of the project, the back wall of the great hall had to be completely made of glass; this way, the audience could see Moscow, and visitors of the park could watch what is happening inside. But then it was decided to abandon the avant-garde solution \u2013 the glass was detrimental to the hall\u2019s acoustics.<\/p>\n
As a result, a media screen appeared behind the stage instead of a transparent window. And instead of a glass wall, the largest organ in Europe was installed, designed by the French organ company Muhleisen specifically for the great hall, which takes into account all the necessary parameters: volume, acoustics, and architecture.<\/p>\n
The production and assembly of the organ took two years, and it will take another six months to set it up \u2013 which is only a year less than the concert hall itself was designed and built!<\/p>\n
According to Vladimir Plotkin, 20 people worked on the Teamwork project in Archicad. One team worked on the complex\u2019s shell, the \u201cbark\u201d; another team developed the fa\u00e7ade; a third team designed the building\u2019s interiors and technologies; and a fourth team worked on the hall and associated mechanization.<\/p>\n
The load-bearing structures were designed in their own software. The models were developed in Novosibirsk and integrated into Archicad.<\/p>\n
Grasshopper was used to design the hall\u2019s finish. In this environment, the most random, non-repeating microrelief of the hall walls were modeled, which was required by acoustics specialists. It consists of mahogany triangles protruding from the wall. All the dies have different shapes, and their sequence is not repeated in the finish. \u201cMaking changes to the layout manually is an incredibly difficult task. We algorithmized this process and managed to issue changes made by acoustics in time,\u201d says Alexander Ponomarev.<\/p>\n
Using Grasshopper, the designers analyzed visibility from the audience; all seats were imported into Grasshopper from Archicad, a viewpoint was placed above each seat and visibility beams were extended to the stage.<\/p>\n
All the work, including design and construction, took only three and a half years. By comparison, the Sydney Opera house was built in 14 years, while the Elbe Philharmonic in Hamburg took 10 years to build\u2026<\/p>\n
When construction started, not a single sketch line was drawn. In January 2015, they started digging, not even knowing exactly where to dig.<\/p>\n
Vladimir Plotkin<\/cite><\/p><\/blockquote>\n
\u201cFa\u00e7ades with \u201cbark\u201d were made by September 2017. A year later, the finishing of the hall was completed at the same frantic pace.\u201d<\/p>\n
Errors<\/h3>\n
Despite the huge amount of work and tight deadlines, an error in the calculations occurred only once. To maintain the microclimate, it was necessary to place glass opening screens under the \u201cbark\u201d. A week and a half before the fa\u00e7ades were submitted for acceptance, it turned out that the screens did not fit. However, \u201cthe contractor reacted quickly \u2014 the metal was cut, and the glass was re-ordered. We managed to meet the deadline.\u201d<\/p>\n
About TPO \u201cReserve\u201d<\/h3>\n
Since the founding in 1987 of the Creative Production Union \u201cReserve,\u201d the company has grown into one of the largest architectural firms in Moscow with its unique and clearly recognizable artistic and aesthetic positions. Thanks to a highly developed production base, highly skilled specialists, and a permanent usage of the most advanced technologies in the area of architectural design, the company produces high quality project documentation of all levels of difficulty and in relatively short times. CU \u201cReserve\u201d has licenses for all kinds of design works, including building design, design constructions of the highest level of responsibility and design constructions in difficult geotechnical conditions. One of the important advantages of the company is that all the sections of the project documentation are developed in accordance with the requirements of the Russian Government\u2019s Resolution N87 from the 16.02.2008. CU \u201cReserve\u201d is also one of a few Russian companies successfully implementing the latest BIM technologies, thereby increasing the efficiency of the entire process of the architectural design.<\/p>\n
Numerous works by CU \u201cReserve\u201d repeatedly receive professional National and International prizes and diplomas (European Property Awards 2016-2017 (GB), Worlds Architecture Festival 2008, Barcelona (ES), \u201cArchMoscow\u201d, \u201cGolden Section\u201d, \u201cZodchestvo\u201d etc.), and published in the national press. In 2010 Vladimir Plotkin, executive partner, and head architect of the company, received the title of the \u201cArchitect of the Year\u201d and presented his personal exhibition in 2011.<\/p>\n
Today, the company consists of 4 architectural design departments and one interior design team. There is also a structural engineering department divided into 5 independent teams, a functional planning department and a vertical planning department. Today, around 200 specialists work in CU \u201cReserve.\u201d<\/p>\n
About the Client<\/h3>\n
Mosinzhproekt<\/a>\u00a0JSC is the leader of the Moscow construction market and one of the largest engineering holdings in Russia.<\/p>\n
The company has implemented significant projects in the capital \u2014 the reconstruction of the large sports arena of the Luzhniki Olympic complex,\u00a0the Center for Rhythmic Gymnastics in Luzhniki<\/a>, the Helikon Opera theater, and others.<\/p>\n
Mosinzhproekt carries out the full cycle of work: from the formation of the idea of integrated development of the territory or creation of an object, design, construction, investment attraction to the commissioning of the object and management of real estate.<\/p>\n
About GRAPHISOFT<\/h3>\n
GRAPHISOFT\u00ae<\/sup><\/a>\u00a0ignited the\u00a0BIM<\/a>\u00a0revolution in 1984 with\u00a0Archicad\u00ae<\/sup><\/a>, the industry first BIM software for architects. GRAPHISOFT continues to lead the industry with innovative solutions such as its revolutionary\u00a0BIMcloud\u00ae<\/sup><\/a>, the world\u2019s first real-time BIM collaboration environment;\u00a0and\u00a0BIMx\u00ae<\/sup><\/a>, the world\u2019s leading mobile app for lightweight access to BIM for non-professionals. GRAPHISOFT is part of the\u00a0Nemetschek Group<\/a>.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"
The Zaryadye Moscow Concert Hall is located in the park with the same name. This unique project is considered one of the best concert venues in the world. Made with Archicad: Zaryadye Concert Hall The hall was inaugurated in 2018, on Moscow City Day. In 2016, the hall was awarded with the Moscow City Council<\/p>\n","protected":false},"author":1,"featured_media":3425,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[133],"tags":[],"class_list":["post-3424","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-du-an-tren-the-gioi"],"yoast_head":"\n
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